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THE MOTHER
PHOTOGRAPHY
EBRAHIM ELMI
(IRAN)
DETAILS
Single exposure B&W photography
8858*11811 pixels
2022
DESCRIPTION
There is an island called Hengam in the south of my
motherland, Persia. Most of the women who live on this island
wear their traditional clothing. One of these remarkable
women is Eli, a beautiful and dignified lady. She resides on the
island and tragically lost her husband in the war. Despite this
hardship, she is a devoted mother to her two daughters.
Weaving handicrafts is her main source of income, which I find
quite fascinating. Despite facing numerous challenges, Eli
remains incredibly hopeful about the future. She imparted
some valuable advice to me, emphasizing the importance of
working diligently to create a bright future for my own
daughters. Looking at her face, one can clearly see her beauty,
dignity, and resilience.
EBRAHIM ELMI
(IRAN)
DETAILS
Single exposure B&W photography
8858*11811 pixels
2022
DESCRIPTION
There is an island called Hengam in the south of my
motherland, Persia. Most of the women who live on this island
wear their traditional clothing. One of these remarkable
women is Eli, a beautiful and dignified lady. She resides on the
island and tragically lost her husband in the war. Despite this
hardship, she is a devoted mother to her two daughters.
Weaving handicrafts is her main source of income, which I find
quite fascinating. Despite facing numerous challenges, Eli
remains incredibly hopeful about the future. She imparted
some valuable advice to me, emphasizing the importance of
working diligently to create a bright future for my own
daughters. Looking at her face, one can clearly see her beauty,
dignity, and resilience.
NO TITLE
DRAWING
GRIT LITCH
(JAPAN)
DETAILS
Markers on Shikishi paper
33 x 26 cm
2022
DESCRIPTION
Tiny dots made a new world on the paper (shikishi is a Japanese traditional paper)
GRIT LITCH
(JAPAN)
DETAILS
Markers on Shikishi paper
33 x 26 cm
2022
DESCRIPTION
Tiny dots made a new world on the paper (shikishi is a Japanese traditional paper)
GLACIER
PAINTING
CYCLONE
(FRANCE)
DETAILS
Oil and acrylic on canvas
100 x 60 x 2 cm
2023
DESCRIPTION
Muse with blue light
CYCLONE
(FRANCE)
DETAILS
Oil and acrylic on canvas
100 x 60 x 2 cm
2023
DESCRIPTION
Muse with blue light
EQUILIBRIO
SCULPTURE
RELUET
(SPAIN)
DETAILS
Mixed media on a wooden chair
42 x 97 x 15 cm
2023
DESCRIPTION
Move forward without demanding yourself
A journey of introspection.
Fear is overcome in the mind.
Life gave the artist some brushes to dance freely again under a stage, your smile when discovering the work, and seeing how the history of her town is not forgotten under her pseudonym.
This painting, "Balance," conceptually revolves around the struggle to stand in a strange world where we do not fit.
The artist appreciates the magic of life thanks to the arduous beauty of the darkness of a swamp.
With her branch, she symbolizes the legacy and rebirth of the families of the six towns buried under the muddy waters of the Rialp reservoir in 1999. In one of those towns, Miralpeix, she lived her childhood until she was thirteen. She discovered this naked branch in the summer of 2022 when the flow descended; its incandescent beauty dazzled her. In it and try again, defeating the most excellent exterminator of dreams: fear. This concept inspired the colors used in the work: yellows, oranges, and reds.
She materialized the adversities, life itself and the muddy waters of the swamp with a dark chair with relief textures made with burned plastic waste, representing a book full of stories, experiences and emotions that go unnoticed under a sheet of non-translucent water. .
Her reflection after creating the painting Equilibrio:
“Move forward without demanding yourself.
We have all had complexes at some point.
As the years go by, you realize that fear exists
"We must overcome it in the mind and not anywhere else."
do is overcome in the mind.
RELUET
(SPAIN)
DETAILS
Mixed media on a wooden chair
42 x 97 x 15 cm
2023
DESCRIPTION
Move forward without demanding yourself
A journey of introspection.
Fear is overcome in the mind.
Life gave the artist some brushes to dance freely again under a stage, your smile when discovering the work, and seeing how the history of her town is not forgotten under her pseudonym.
This painting, "Balance," conceptually revolves around the struggle to stand in a strange world where we do not fit.
The artist appreciates the magic of life thanks to the arduous beauty of the darkness of a swamp.
With her branch, she symbolizes the legacy and rebirth of the families of the six towns buried under the muddy waters of the Rialp reservoir in 1999. In one of those towns, Miralpeix, she lived her childhood until she was thirteen. She discovered this naked branch in the summer of 2022 when the flow descended; its incandescent beauty dazzled her. In it and try again, defeating the most excellent exterminator of dreams: fear. This concept inspired the colors used in the work: yellows, oranges, and reds.
She materialized the adversities, life itself and the muddy waters of the swamp with a dark chair with relief textures made with burned plastic waste, representing a book full of stories, experiences and emotions that go unnoticed under a sheet of non-translucent water. .
Her reflection after creating the painting Equilibrio:
“Move forward without demanding yourself.
We have all had complexes at some point.
As the years go by, you realize that fear exists
"We must overcome it in the mind and not anywhere else."
do is overcome in the mind.
ME IN HEAVEN II
PAINTING
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ME IN HEAVEN III
PAINTING
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ME IN HEAVEN
PAINTING
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ME IN HEAVEN VI
PAINTING
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ME IN HEAVEN VII
PAINTING
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ME IN HEAVEN VIII
PAINTING
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
ALEXANDRA KORDAS
(GERMANY)
DETAILS
Watercolor on paper
50 x 65 cm
2023
WOMAN'S DREAM WD12
PAINTING
ESTHER DE BOTTON
(SPAIN)
DETAILS
Acrylic and mixed media on canvas
81 x 116 x 3 cm
2023
DESCRIPTION
Destruction / construction/ hope
ESTHER DE BOTTON
(SPAIN)
DETAILS
Acrylic and mixed media on canvas
81 x 116 x 3 cm
2023
DESCRIPTION
Destruction / construction/ hope
AFTER
PAINTING
PEDRET
(SPAIN)
DETAILS
Acrylic painting digitalized and printed on Dibond
50 x 40 cm
2024
PEDRET
(SPAIN)
DETAILS
Acrylic painting digitalized and printed on Dibond
50 x 40 cm
2024
HE
PAINTING
PEDRET
(SPAIN)
DETAILS
Acrylic painting digitialized and printed on Dibond
50 x 40 cm
2024
PEDRET
(SPAIN)
DETAILS
Acrylic painting digitialized and printed on Dibond
50 x 40 cm
2024
ZEN
DRAWING
SHEN FUNG LIN
(TAIWAN)
DETAILS
Mixed media
24 x 36 cm
2019
DESCRIPTION
I use Zen as the core of my spirit
Conducted experimental creations of this series of Action Painting
I used natural stones with different textures, rubbing their natural texture on paper.
I used Charcoal pen/charcoal/pen/graphite/pencil / white charcoal... and other media.
I aimed at the traditional ”smoke method” in Chinese landscape painting.
Experiments with subversion and innovation
And created this series of Shituo paintings.
Zen is abstract, as if the air is everywhere but out of reach. What I want to convey through my work is ”Heaven, earth, mountains and rivers, all things have spirits, coexist with each other and exist in the way of harmony.”
Such feelings that cannot be explained in words.
SHEN FUNG LIN
(TAIWAN)
DETAILS
Mixed media
24 x 36 cm
2019
DESCRIPTION
I use Zen as the core of my spirit
Conducted experimental creations of this series of Action Painting
I used natural stones with different textures, rubbing their natural texture on paper.
I used Charcoal pen/charcoal/pen/graphite/pencil / white charcoal... and other media.
I aimed at the traditional ”smoke method” in Chinese landscape painting.
Experiments with subversion and innovation
And created this series of Shituo paintings.
Zen is abstract, as if the air is everywhere but out of reach. What I want to convey through my work is ”Heaven, earth, mountains and rivers, all things have spirits, coexist with each other and exist in the way of harmony.”
Such feelings that cannot be explained in words.
ZEN
DRAWING
SHEN FUNG LIN
(TAIWAN)
DETAILS
Mixed media
24 x 36 cm
2019
DESCRIPTION
I use Zen as the core of my spirit
Conducted experimental creations of this series of Action Painting
I used natural stones with different textures, rubbing their natural texture on paper.
I used Charcoal pen/charcoal/pen/graphite/pencil / white charcoal... and other media.
I aimed at the traditional ”smoke method” in Chinese landscape painting.
Experiments with subversion and innovation
And created this series of Shituo paintings.
Zen is abstract, as if the air is everywhere but out of reach. What I want to convey through my work is ”Heaven, earth, mountains and rivers, all things have spirits, coexist with each other and exist in the way of harmony.”
Such feelings that cannot be explained in words.
SHEN FUNG LIN
(TAIWAN)
DETAILS
Mixed media
24 x 36 cm
2019
DESCRIPTION
I use Zen as the core of my spirit
Conducted experimental creations of this series of Action Painting
I used natural stones with different textures, rubbing their natural texture on paper.
I used Charcoal pen/charcoal/pen/graphite/pencil / white charcoal... and other media.
I aimed at the traditional ”smoke method” in Chinese landscape painting.
Experiments with subversion and innovation
And created this series of Shituo paintings.
Zen is abstract, as if the air is everywhere but out of reach. What I want to convey through my work is ”Heaven, earth, mountains and rivers, all things have spirits, coexist with each other and exist in the way of harmony.”
Such feelings that cannot be explained in words.
ZEN
DRAWING
SHEN FUNG LIN
(TAIWAN)
DETAILS
Mixed media
24 x 36 cm
2019
DESCRIPTION
I use Zen as the core of my spirit
Conducted experimental creations of this series of Action Painting
I used natural stones with different textures, rubbing their natural texture on paper.
I used Charcoal pen/charcoal/pen/graphite/pencil / white charcoal... and other media.
I aimed at the traditional ”smoke method” in Chinese landscape painting.
Experiments with subversion and innovation
And created this series of Shituo paintings.
Zen is abstract, as if the air is everywhere but out of reach. What I want to convey through my work is ”Heaven, earth, mountains and rivers, all things have spirits, coexist with each other and exist in the way of harmony.”
Such feelings that cannot be explained in words.
SHEN FUNG LIN
(TAIWAN)
DETAILS
Mixed media
24 x 36 cm
2019
DESCRIPTION
I use Zen as the core of my spirit
Conducted experimental creations of this series of Action Painting
I used natural stones with different textures, rubbing their natural texture on paper.
I used Charcoal pen/charcoal/pen/graphite/pencil / white charcoal... and other media.
I aimed at the traditional ”smoke method” in Chinese landscape painting.
Experiments with subversion and innovation
And created this series of Shituo paintings.
Zen is abstract, as if the air is everywhere but out of reach. What I want to convey through my work is ”Heaven, earth, mountains and rivers, all things have spirits, coexist with each other and exist in the way of harmony.”
Such feelings that cannot be explained in words.
MARSHMALLOW
PAINTING
MONTSE BARBERÀ PUJOL
(SPAIN)
DETAILS
Acrylic on canvas
60 x 60 x 1,5 cm
2023
MONTSE BARBERÀ PUJOL
(SPAIN)
DETAILS
Acrylic on canvas
60 x 60 x 1,5 cm
2023
LAKE WITH FISHES
PAINTING
MONTSE BARBERÀ PUJOL
(SPAIN)
DETAILS
Acrylic on canvas
90 x 60 x 1,5 cm
2024
MONTSE BARBERÀ PUJOL
(SPAIN)
DETAILS
Acrylic on canvas
90 x 60 x 1,5 cm
2024
CAMINANTE
SCULPTURE
SÒNIA BENITEZ
(SPAIN)
DETAILS
Carved Travertine
27 x 93 x 23 cm
2018
DESCRIPTION
Travertine with a feminine figure, still, motionless but at the same time giving the sensation of wanting to take a step, providing a moment for reflection. The body as a presence, with its experiences, its personal history. Body as a record, as testimony, with a trace. Printed trail, with an identity.
SÒNIA BENITEZ
(SPAIN)
DETAILS
Carved Travertine
27 x 93 x 23 cm
2018
DESCRIPTION
Travertine with a feminine figure, still, motionless but at the same time giving the sensation of wanting to take a step, providing a moment for reflection. The body as a presence, with its experiences, its personal history. Body as a record, as testimony, with a trace. Printed trail, with an identity.
REFLEXIÓN
SCULPTURE
SÒNIA BENITEZ
(SPAIN)
DETAILS
Carved marble
24 x 14 x 17 cm
2009
SÒNIA BENITEZ
(SPAIN)
DETAILS
Carved marble
24 x 14 x 17 cm
2009
VENU DU CIEL
SCULPTURE
LUCILE COSTE
(FRANCE)
DETAILS
plaster, resin, metal
30 x 25 x 20 cm
2022
DESCRIPTION
Venu du Ciel means the ones who came from the sky. The color blue of the skin and the strange texture suggest the character come from another planet or another celestial plane. Looking up, with eyes shapes precise and blurry at the same time, he is looking through the basic existence. The art piece invite us to connect with the future version of us we expect to become, not only as humans, but as Humanity, living on a exceptionnal planet.
LUCILE COSTE
(FRANCE)
DETAILS
plaster, resin, metal
30 x 25 x 20 cm
2022
DESCRIPTION
Venu du Ciel means the ones who came from the sky. The color blue of the skin and the strange texture suggest the character come from another planet or another celestial plane. Looking up, with eyes shapes precise and blurry at the same time, he is looking through the basic existence. The art piece invite us to connect with the future version of us we expect to become, not only as humans, but as Humanity, living on a exceptionnal planet.
IT'S ME #4
PAINTING
ANA LIDA DIAZ
(PANAMA)
DETAILS
Acrylic on canvas
30 x 30 cm
2023
DESCRIPTION
This work belongs to the series of the same name since it is me reflected in a metal sphere that I take to different scenarios to transport the viewer to a different space than the one they are physically or emotionally in.
ANA LIDA DIAZ
(PANAMA)
DETAILS
Acrylic on canvas
30 x 30 cm
2023
DESCRIPTION
This work belongs to the series of the same name since it is me reflected in a metal sphere that I take to different scenarios to transport the viewer to a different space than the one they are physically or emotionally in.
UNTITLED
PAINTING
ANA LIDA DIAZ
(PANAMA)
DETAILS
Acrylic on canvas
35 x 40 cm
2023
DESCRIPTION
I painted a green metallic tape pinned with a cadmium orange plastic tack under strong light to create pronounced shadows that create the sensation that the tape is coming off the canvas.
ANA LIDA DIAZ
(PANAMA)
DETAILS
Acrylic on canvas
35 x 40 cm
2023
DESCRIPTION
I painted a green metallic tape pinned with a cadmium orange plastic tack under strong light to create pronounced shadows that create the sensation that the tape is coming off the canvas.
BLOQUEO
PAINTING
ANA LIDA DIAZ
(PANAMA)
DETAILS
Acrylic on wooden board
25 x 30 cm
2020
DETAILS
In 2020 we were completely locked down in my country and I felt blocked or deprived in every sense, a situation like we had never experienced before and I expressed it in my work.
ANA LIDA DIAZ
(PANAMA)
DETAILS
Acrylic on wooden board
25 x 30 cm
2020
DETAILS
In 2020 we were completely locked down in my country and I felt blocked or deprived in every sense, a situation like we had never experienced before and I expressed it in my work.
NAGARANGA
PAINTING
EVA HILDEBRAND
(HUNGARY)
DETAILS
Oil on canvas
140 x 120 x 1 cm
2023
DESCRIPTION
This painting was inspired by the beautiful story behind the origin of the word 'orange'. The story tells that once an elephant found some oranges and ate them, some time later a man found the remains of the elephant and noticed an orange tree growing out from the place which once had been the animal's stomach and then he exclaimed 'naga ranga' which is sanskrit for 'poison for elephants'.
EVA HILDEBRAND
(HUNGARY)
DETAILS
Oil on canvas
140 x 120 x 1 cm
2023
DESCRIPTION
This painting was inspired by the beautiful story behind the origin of the word 'orange'. The story tells that once an elephant found some oranges and ate them, some time later a man found the remains of the elephant and noticed an orange tree growing out from the place which once had been the animal's stomach and then he exclaimed 'naga ranga' which is sanskrit for 'poison for elephants'.
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